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Wingert: HT 2000
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Hypertext Variants and
Readings
The
evening event with authors offering samples of their HT
narrations allowed the audience to follow acoustically what
had been discussed theoretically in the previous section,
namely how to work with links, what designs and overall
structures to pursue, or how contents fit other structural
designs.
The sequence of
presentations was opened by Deena Larsen with a HT,
"'Dancing in Your Soul," of very simple design, with a very
slim text, and with complete links. This was followed by Rob
Kendall with a story about a meeting between a father
and a daughter, both of them immigrants from Eastern Europe,
who met again after many years. The part presented,
"Spring," was part of a series, "The Seasons," to be
published by Eastgate on the web in the near future. In this
case, Kendall practically made true what he had postulated
theoretically, namely to allow the reader more orientation
and more independence. Thus, he indicates in a status line
the range of subjects to which a link to be chosen belongs
(such as "father-daughter" or "mother in earth"), in this
way causing the horizon of expectations to become more
structured. At the same time, a variable shade of color
indicates the intensity with which the corresponding subject
node had already been visited and read, respectively. The
overall structure thus boils down to a hybrid abandoning the
pathways of strict, small-scale modularization, and mixing
linear and delinearized forms.
Completely different in
approach and structure is "Fibonacci's Daughter" by Marjorie
Lusebrink, with its very rich collection of text and
images, including a lottery shop on the mall, with a helical
overall structure, and the whole thing preserved on a
CD ROM. Jane Yellowlees Douglas presented an
older story originally written for an on-line magazine of
1991, but never published. The piece is part of a trilogy,
one part of which later became "I Have Said Nothing." The
story she presented was more remarkable because of the
perceptible joy of telling a story than the simple HT
structure. Finally, a group of three authors (William
Gillespie, Scott Rettberg, and Nick
Montfort, who participated instead of Dirk
Stratton) read and demonstrated under the heading of
"The Unknown" what is meant by a story about anything and
everything under the sun (and should not be taken too
seriously). On the whole, the presentations were a
successful mix of serious and funny pieces, always to be
taken seriously in their respective approaches, and all of
them indirectly raising the question (as they were presented
so as to be heard) whether hypertext, in the end, is not
something designed more for the ears than for the eyes.
(Read more about this section in the article by Susana Tosca
on this server).
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